Feel the passion of Arnold Böcklin in our art prints.

Our art reproductions bring moments of comfort directly into your home.


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Österreichische Kunstmanufaktur

Feel the passion of Arnold Böcklin in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Arnold Böcklin
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of Arnold Böcklin

These artworks are particularly popular with our customers.

Die Toteninsel
1883 | oil on panel

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Die Toteninsel. 1883 (Dritte Fas...
Undated | oil on wood

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Die Toteninsel
1880 | Oil on canvas

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The most popular works of Arnold Böcklin

These artworks are particularly popular with our customers.


Discover more artworks by Arnold Böcklin

Discover more artworks by Arnold Böcklin

183 artworks found
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Die Toteninsel. Fünfte Version. ...
Undated | Oil/wood

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Das Irrlicht
1862 | painting

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Nymphe und Satyr
1871 | Oil on canvas

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Die Kapelle
1898 | Oil on canvas

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Sappho
1862 | Oil on canvas

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Heiliger Hain
1882 | Oil on canvas

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Der Abenteurer. 1882
Undated | Tempera on canvas

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Mondscheinlandschaft mit Ruine
1849 | Oil on canvas

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Angelika, von einem Drachen bewacht
1871 | oil on panel

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Faun einer Amsel zupfeifend
1864 | Oil on canvas

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Triton, auf einer Muschel blasend
1879 | Oil on canvas

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The Chapel; Die Kapelle, 1898
1898 | oil on canvas

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Zwei fischende Pane
1874 | Oil on canvas

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Ulysses and Calypso, 1882.
Undated |

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Die Gefilde der Seligen
1877 | Oil on canvas

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Die Heimkehr
1827 | Oil on canvas

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Nymphen und Satyrn
1870 | pen drawing

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Im Spiel der Wellen
1883 | painting

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Sirenen. 1875
Undated | Oil on canvas

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Das Schweigen des Waldes
1885 | painting

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Selbstporträt mit fiedelndem Tod...
Undated | Oil on canvas

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The island of life , 1888.
Undated |

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Im Spiel der Wellen
1883 | painting

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Nacktes Kind mit blonden Haaren
1895 | painting

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Die Pest
1898 | Unknown

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Meerestille (Calm Sea), 1886-87
Undated | oil on wood

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Dans le jeu des Vagues
1883 | Oil on canvas

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Schloss am Meer (Mord im Schloss...
Undated | Oil on canvas

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Undated | tempera on panel

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Calm Sea, 1886-1887.
Undated |

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Kentaur und Nymphe
1855 | Oil on canvas

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Flora, Blumen streuend
1875 | oil on panel

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Play of the Nereides , 1886.
Undated |

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orlando furioso
1827 | Oil on canvas

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Nymphe an der Quelle
1854 | painting

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Germanen auf Eberjagd
1858 | Oil on canvas

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Frühlingshymne
1888 | painting

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In den pontinischen Sümpfen
1851 | Oil on canvas

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Mutter und Kind
1877 | painting

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1884 | Oil on canvas

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Mädchen und Jüngling beim Blumen...
1866 | Oil on canvas

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Odysseus und Polyphem
1876 | painting

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Die Klage des Hirten
1866 | Oil on canvas

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Angelika, von einem Drachen bewacht
1879 | Oil on canvas

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Verlassene Venus
1850 | Oil on canvas

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Pan im Schilf
1856 | Oil on canvas

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Undated | oil on canvas

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Self-Portrait in the Studio, 1893.
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Arnold Böcklin

Arnold Böcklin

  October 16, 1827
  January 16, 1901
Symbolism   •   Wikipedia: Arnold Böcklin

Light is reflected in the water, sparkles through a canopy of leaves and you can literally feel the breeze gently tipping the reeds aside. The paintings of the Swiss painter Arnold Böcklin are so powerfully and masterfully expressed that one would like to sit in front of his masterpieces for hours. Restrained yet expressive, that was his strength and it is not without reason that he is considered one of the founders of Symbolism.

Arnold Böcklin was born in Basel in 1827 and was already as a young man caught up in an uninterrupted urge to travel, which would not leave him until his death. After his training in Düsseldorf, he spent extended periods of time in Belgium and the Netherlands, in Paris at the Louvre or in ancient Rome. Each stay left a lasting impression and had a particular impact on his works of art. While his first paintings were characterized by peaceful landscape painting, in which muted colors, gentle breezes and winking sunbeams predominate, his style later changed to the over-compensatory ideal of antique-mythological art. Instead of green hills and colourful trees, dark motifs such as ruins, wars, death and the plague increasingly came to the fore.

Böcklin was influenced, among other things, by his travels and numerous moves from one vibrant European city to another, which was expressed above all in his love of landscape painting. However, the paradigm shift in Europe at that time towards growing nationalism and imperialism combined with wars and epidemics and personal strokes of fate also had a decisive influence on Böcklin. Together with his wife and muse Angela Pascucci, he gave birth to fourteen children, eight of whom died in infancy. Pictures such as his work "Self-Portrait with Fiddling Death" bear witness to his grief and the depression of these losses. On top of this came financial problems, impending poverty and artistic setbacks.

With "Pan in the Reeds" in 1859, he finally made his first breakthrough and marked the beginning of his transformation from landscape impressionism to mythical symbolism, which he decisively influenced with his works during his creative period. Whether it be idyllic landscapes or stormy mythical and religious motifs, Böcklin loved the play of light and shadow, of light and dark between plants, trees, waters and rocks. He processed social and political events in Europe at the time in expressions of deep mythology such as in "A Murderer Persecuted by Furies" or "Centaur Fight" in 1873, which is interpreted as his emblematic contemporary expression of the Franco-Prussian War. Böcklin's works were not popular with everyone at the time, many critics found his paintings too "loud" or "shouting" or were shocked by the "offensive" motifs. Nevertheless, Böcklin managed during his lifetime to gain attention and recognition throughout Europe with his works of art and he was able to settle at the age of 68 in the Italian city of Florence, where he died on 18 January 1901.

Arnold Böcklin

Arnold Böcklin
  October 16, 1827
  January 16, 1901
Symbolism   •   Wikipedia: Arnold Böcklin

Light is reflected in the water, sparkles through a canopy of leaves and you can literally feel the breeze gently tipping the reeds aside. The paintings of the Swiss painter Arnold Böcklin are so powerfully and masterfully expressed that one would like to sit in front of his masterpieces for hours. Restrained yet expressive, that was his strength and it is not without reason that he is considered one of the founders of Symbolism.

Arnold Böcklin was born in Basel in 1827 and was already as a young man caught up in an uninterrupted urge to travel, which would not leave him until his death. After his training in Düsseldorf, he spent extended periods of time in Belgium and the Netherlands, in Paris at the Louvre or in ancient Rome. Each stay left a lasting impression and had a particular impact on his works of art. While his first paintings were characterized by peaceful landscape painting, in which muted colors, gentle breezes and winking sunbeams predominate, his style later changed to the over-compensatory ideal of antique-mythological art. Instead of green hills and colourful trees, dark motifs such as ruins, wars, death and the plague increasingly came to the fore.

Böcklin was influenced, among other things, by his travels and numerous moves from one vibrant European city to another, which was expressed above all in his love of landscape painting. However, the paradigm shift in Europe at that time towards growing nationalism and imperialism combined with wars and epidemics and personal strokes of fate also had a decisive influence on Böcklin. Together with his wife and muse Angela Pascucci, he gave birth to fourteen children, eight of whom died in infancy. Pictures such as his work "Self-Portrait with Fiddling Death" bear witness to his grief and the depression of these losses. On top of this came financial problems, impending poverty and artistic setbacks.

With "Pan in the Reeds" in 1859, he finally made his first breakthrough and marked the beginning of his transformation from landscape impressionism to mythical symbolism, which he decisively influenced with his works during his creative period. Whether it be idyllic landscapes or stormy mythical and religious motifs, Böcklin loved the play of light and shadow, of light and dark between plants, trees, waters and rocks. He processed social and political events in Europe at the time in expressions of deep mythology such as in "A Murderer Persecuted by Furies" or "Centaur Fight" in 1873, which is interpreted as his emblematic contemporary expression of the Franco-Prussian War. Böcklin's works were not popular with everyone at the time, many critics found his paintings too "loud" or "shouting" or were shocked by the "offensive" motifs. Nevertheless, Böcklin managed during his lifetime to gain attention and recognition throughout Europe with his works of art and he was able to settle at the age of 68 in the Italian city of Florence, where he died on 18 January 1901.





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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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